| Fantasy
| for Unaccompanied Clarinet |
Reviews
- "a very compactly textured, substantial musical piece" (Hannoversche Presse)
- "a melodic composition" (Hannoversche Allgemeine Zeitnug)
- "a substantial, clearly organized piece, without any padding"(Hannoversche Rundschau)
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Dialogue | for Clarinet and Piano |
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Notturno | for Clarinet and Piano |
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Three Impressions | for Two Clarinets |
Reviews
- "excellent duet material" (School Music News)
- "well written for the clarinet and . . . interesting musically" (Woodwind World)
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Suite | for Three Clarinets |
Reviews
- "a pleasant and mellifluous work" (New York Times)
- "showed notable skill in using the tonal resources of his medium, along with sufficient variety of mood" (New York Herald Tribune)
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Flute |
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Dialogue and Notturno | for Flute and Piano |
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Dialogue--recipient of Honorable Mention at Finals
in the NFA Newly-Published Music Competition 2000
Notturno may be effectively performed either on the clarinet or flute. An expressive work of medium difficulty and written to idiomatically suit the musical qualities of both instruments, it offers the performer ample opportunity for display of musicianship.
Dialogue and Notturno are written as companion pieces, in a lyrical style that combines the melodic expressiveness of the flute with a variety of tonal and clustered sonorities in the piano. Both works are neo-romantic and multi-sectional with varying textures and musical content. A captivating interplay between the flute and piano is the primary compositional characteristic of these works.
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Flute and Clarinet |
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Charade | for Flute and Clarinet or Two Clarinets |
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Charade--recipient of Honorable Mention
in the NFA Newly-Published Music Competition 2002
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Wind Quintet |
| Suite Humoresque | for Wind Quintet |
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Piano |
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Rhapsody | for Piano
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Songs for Voice and Piano |
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Awake |
| Visions |
| The Golden Hue |
